This booklet argues that we should always regard strolling and speaking in one rhythmic imaginative and prescient. In doing so, it contributes to the speculation of prosody, our knowing of breathing and looking out, and, in sum, to the actual hyperlinks, around the board, among the human features of bipedal jogging and significant talk.
The writer first introduces the philosophical, neurological, anthropological, and aesthetic facets of the topic in old point of view, then specializes in rhetoric and introduces a stress among the small and massive problems with rhythm. He thereupon turns his recognition to the jobs of inhaling poetry--as a life-and-death topic, with awareness to beats and jogging poems. This opens onto technical recommendations from the classical traditions of rhetoric and philology.
Turning to the connection among prosody and movement, he considers either animals and humans as either ostensibly able-bodied creatures and presumptively disabled ones. eventually, he seems to be at dancing and writing as elements of strolling and conversing, with distinctive consciousness to movement in Arabic and chinese language calligraphy.
The ultimate chapters of the booklet supply a chain of interrelated consultant case studies.