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Dürer is the best of German artists and such a lot consultant of the German brain. He, like Leonardo, was once a guy of remarkable actual reputation, nice allure of demeanour and dialog, and psychological accomplishment, being good grounded within the sciences and arithmetic of the day. His ability in draughtsmanship was once outstanding; Dürer is much more celebrated for his engravings on wooden and copper than for his work. With either, the ability of his hand used to be on the provider of the main minute remark and analytical study into the nature and constitution of shape. Dürer, besides the fact that, had now not the sensation for summary good looks and perfect grace that Leonardo possessed; yet as a substitute, a profound earnestness, a better curiosity in humanity, and a extra dramatic invention. Dürer used to be an excellent admirer of Luther; and in his personal paintings is the identical of what used to be effective within the Reformer. it's very severe and honest; very human, and addressed the hearts and figuring out of the hundreds. Nuremberg, his place of birth, had develop into an outstanding centre of printing and the executive distributor of books all through Europe. therefore, the artwork of engraving upon wooden and copper, that could be known as the pictorial department of printing, used to be a lot inspired. Of this chance Dürer took complete virtue. The Renaissance in Germany was once extra an ethical and highbrow than an inventive circulate, in part as a result of northern stipulations. the sensation for excellent grace and sweetness is fostered via the examine of the human shape, and this were flourishing predominantly in southern Europe. yet Albrecht Dürer had a genius too robust to be conquered. He remained profoundly Germanic in his stormy penchant for drama, as was once his modern Mathias Grünewald, a wonderful visionary and insurgent opposed to all Italian seductions. Dürer, inspite of all his annoying strength, ruled conflicting passions through a sovereign and speculative intelligence related with that of Leonardo. He, too, used to be at the border of 2 worlds, that of the Gothic age and that of the fashionable age, and at the border of 2 arts, being an engraver and draughtsman instead of a painter.

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Los angeles Grande Touffe d’herbe, vers 1503. p. 25 fifty five. Chien couché, 1520. p. sixty seven p. sixty eight citadel Côtier, 1496-1497. p. 26 fifty six. Aile de geai bleu, 1502. 20. Vue du val d’Arco, vers 1502. p. 27 fifty seven. Ruine d’un château sur un sommet rocheux 21. p. 28 19. Autoportrait en fourrure, 1500. 22. Portrait du marchand Oswald Krell, vers 1499. p. 29 23. Portrait de l’artiste par lui-même (Autoportrait avec paysage), 1498. 24. Portrait d’Elspeth Tucher, vers 1499. p. 30 p. 33 26. Emblèmes Héraldiques, vers 1499. p. 35 27. los angeles Vierge et l’Enfant, vers 1498. p. 36 28. l. a. Vierge au serin, vers 1506. p. 37 29. los angeles Vierge à los angeles poire, vers 1526. p. 38 30. l. a. Madone à l’œillet, 1516. p. 39 l. a. Vierge, l’Enfant et Sainte Anne, vers 1519. au bord d’un fleuve, 1495. p. forty 32. los angeles Vierge, l’Enfant et Sainte Anne, vers 1514. p. forty-one 33. L’Adoration de Mages, 1504. p. forty two 34. los angeles Fête du Rosaire, 1506. p. forty three 35. Jésus au milieu des docteurs, vers 1506. p. forty five 36. Portrait d’un gentilhomme, vers 1524. p. forty six p. 70-71 fifty eight. Héron, vers 1515. p. seventy two fifty nine. los angeles Tréfilerie, 1493-1494. p. seventy four 60. L’Eglise et le cimetière Saint Jean, p. 32 25. Portrait de jeune femme, 1505. 31. eighty p. forty seven sixty one. près de Nuremberg, 1494. p. seventy five Innsbruck, (vue du nord), 1494. p. seventy seven NOTES ¹ ² ³ Apelle était un peintre de los angeles cour d’Alexandre le Grand, actif aux environs de 330 avant J. -C « À l. a. mémoire d’Albrecht Dürer. Cette colline preserve ce qui était mortel en lui. Il est mort le 6 avril 1528.

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