By Joseph Lanza
Ken Russell has made probably the most bold, tense, and fantastically photographed motion pictures of all time. Drawing from a wealth of historical and literary references, Russell’s topics are surprising: deranged Ursuline nuns in a 17th-century French province, the interior demons of Mary Shelley and Lord Byron, the sexual angst of Tchaikovsky, the emotionally tired lifetime of Rudolph Valentino, the messianism of a pinball wizard, the fury of lesbian vampires, the introspections of prostitutes. Russell’s videos supply not only brazen sensationalism yet foodstuff for concept; they horrify but encourage. and during all of it, Russell continues a concurrently impish and highbrow experience of humor.
the 1st complete biography of the director, Phallic Frenzy is faraway from a dry, film-by-film research. It indicates how Russell’s genuine lifestyles has usually been as attractive and colourful as his movie eventualities. the following you’ll learn the way Alan Bates and Oliver Reed in comparison their penis sizes for the nude wrestling scene in Women in Love; how Russell disfigured Paddy Chayevsky’s script for Altered States by having the actors holler out the traces as quickly as attainable, followed via spewed meals and streams of spittle; and the way Russell used to be slated to direct Evita, starring Liza Minnelli, and the “creative ameliorations” that ensued. A madcap story packed with wild principles, surreal events, and a cavalcade of colourful personalities, Phallic Frenzy is as exciting a experience as any Ken Russell film.
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Additional info for Phallic Frenzy: Ken Russell and His Films (Cappella Books)
If they’re chilly and jogging via slush and mud,” Russell boasted, “it humiliates them a bit and indicates them they’re on the mercy of the weather, and of me. ” wearing the onus of his beaten beliefs from movie to movie, Russell makes music of summer season extra complex and extra enticing while he initiatives himself into Fenby. He even indicates up in another option cameo: this time as a clergyman making out with a few floozy on a pew—much to Fenby’s chagrin whilst he witnesses the development after looking solace within the within sight church. even if his transcribing activity with Delius is over, and he’s again at domestic attempting to take pleasure in a celebration between pals, Fenby can’t get his brain off the ordeal and stands amid the revelry on my own: a sweating wallflower. “To me this can be a very scary sequence,” Russell displays greater than 40 years after the film’s broadcast. “I can establish with Fenby the following. He feels similar to I felt: each social gathering I’d ever been to whilst i used to be his age, status with a tumbler on your hand, hoping not anyone will realize you. ” Russell dependent a lot of his script on Fenby’s 1928 booklet Delius as I Knew Him and from extra tidbits he loosened from the writer over wine. He used to be so trustworthy to either the textual content and the next memories that Fenby sobbed at some point whilst he got here to the set, moved at how Russell used to be so partial to exacerbating outdated sores. “Shortly after it was once shown,” Russell later recollects of Fenby’s response, “he had a fearful breakdown, one symptom of which was once a criticism that made his pores and skin pop out in sores on the slightest contact. He couldn’t wear any outfits and couldn’t exit of the home for a 12 months after seeing the movie. I introduced again all his emotions approximately Delius, and what operating for him had performed to his existence. ” whilst writing in regards to the movie for Harper’s in early 1971, Richard Schickel known as Song of summer season “the most sensible dramatic tv software I’ve ever visible. ” He mentioned how Russell’s Delius invitations nerve-racking questions about the clash among paintings and love that Thomas Mann requested of his composer Adrian Leverkuhn in healthcare professional Faustus: “What Mann states explicitly, Russell restates implicitly: genius, much more expertise, usually provides itself as preoccupation, requiring of the artist possessed through it consistent being concerned and nursing, the type of never-ending care mockingly analogous to mum or dad needs to lavish on a retarded baby. The artist might make an important contribution to the humane culture, yet simply on the fee of his personal humanity. ” Dance of the Seven Veils aired on February 15, 1970, beginning with a really British, understated BBC disclaimer: “It has been defined as a harsh and every now and then violent comic strip of the lifetime of the composer. . . . it is a own interpretation by way of Ken Russell of definite actual and lots of imaginary occasions within the composer’s lifestyles. ” None of this mattered. Parliament nonetheless assembled to introduce a movement to sentence the BBC for displaying it, with a twenty-Tory refrain shouting such epithets as “viciousness, savagery, and brutality. ” different reactions have been predictably fierce.